This is a black and white woodcut illustration, likely from a pamphlet or book about witchcraft. It depicts a scene related to Matthew Hopkins, a notorious 17th-century English witch hunter. **Central Figure:** A man, presumably Matthew Hopkins, stands in the center, dressed in a long coat, breeches, and a hat. He holds a long staff or walking stick. **Witches/Imps:** Two seated figures, likely representing accused witches or their imps, are positioned on either side of Hopkins. They are depicted with exaggerated features, suggesting caricature or demonization. One is seated on a stool, and the other on a chair. **Animal Companions:** Below the seated figures is a bizarre composite animal. It has the head of a goat, a body resembling a horse or cow, and a long, coiled tail. Several small animal figures are associated with it: a black cat with a scroll labeled 'Saoke & Sugar Newes', and a small animal labeled 'Holt'. **Labels and Text:** The illustration is filled with labels and text. Above the seated figures, a curved line points to them with the text 'My Imps names are'. Below this are numbered labels: '1. Ilemauzar', '2. Pyewackett', '3. Pecke in the Crowne', '4. Grizzell Greedigutt'. The composite animal is labeled 'Vinegar Tom'. **Background:** A door is visible on the left side of the image, and two windows are at the top. The style of the illustration is typical of early modern woodcuts, with bold lines and a somewhat crude aesthetic. The overall impression is one of superstition, fear, and the sensationalism surrounding witchcraft accusations.